Genre Drama
info Kajillionaire is a movie starring Evan Rachel Wood, Gina Rodriguez, and Debra Winger. A woman's life is turned upside down when her criminal parents invite an outsider to join them on a major heist they're planning
directed by Miranda July
Mark Ivanir
user ratings 7,1 of 10 Star
countries USA

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NEW YORK (CNS) — Essentially a lesbian love story, “Kajillionaire” (Focus) is also a barren comedy mostly populated by unsympathetic characters whose eccentricities are more obnoxious than endearing and resting on underlying ideas about life and death that cannot be harmonized with revealed truth. As such, it’s impoverished rather than outrageously wealthy. Inveterate petty thieves Theresa (Debra Winger) and Robert Dyne (Richard Jenkins) have raised their 26-year-old daughter, Old Dolio (Evan Rachel Wood), to be their partner in crime. They also have deprived her of anything resembling affection so that she has grown up withdrawn, stiff and emotionally repressed. However, Old Dolio — whose parents characteristically named her for an acquaintance they hoped would leave them money as a result — finds her drab world transformed when the clan crosses paths with vibrant Melanie (Gina Rodriguez) and she joins in their criminal enterprises. As the quartet targets lonely senior citizens, Old Dolio and Melanie fall for each other, which becomes a source of liberation for the former. The original trio’s ill-gotten gains are initially so random and essentially worthless as to serve as a source of humor. Yet, there’s something unsavory in the way writer-director Miranda July’s script shrugs off their later purloining of funds from vulnerable retirees. Melanie objects to this scheme at first, but rapidly gives way and aids in it. Faith, moreover, is as absent from Old Dolio’s world as any sense of morality. When an airplane on which the Dynes are traveling runs into turbulence and Theresa begins to pray, this is depicted as a comic absurdity. Along the same lines, when Old Dolio exclaims “God bless you” in the midst of a manic episode, it’s portrayed as an empty and incongruous sentiment. Additionally, Old Dolio envisions the afterlife as an endless state of numbness experienced in a dark void. Those who, unlike herself, love life on earth and have something to lose will, she believes, find this condition torturous. The relationship between Melanie and Old Dolio is handled discreetly. Until a prolonged smooch in the final scene, it mostly consists of sensual hints at their mutual feelings. But their bond is not only portrayed positively, it’s thoroughly romanticized and represents the linchpin of Old Dolio’s transformation and awakening — the goal toward which the whole plot moves. The film contains beliefs incompatible with Christianity, a frivolous treatment of crime, a benign view of homosexual relationships, brief irreverent humor, upper female nudity in a nonsexual context, a same-sex kiss, a couple of mild oaths and a handful of rough and crass terms. The Catholic News Service classification is O — morally offensive. The Motion Picture Association rating is R — restricted. Under 17 requires accompanying parent or adult guardian. – – – Mulderig is on the staff of Catholic News Service. CAPSULE REVIEW “Kajillionaire” (Focus) Barren comedy about the emotionally repressed 26-year-old daughter (Evan Rachel Wood) of two inveterate petty thieves (Debra Winger and Richard Jenkins) who finds her drab world transformed when a vibrant stranger (Gina Rodriguez) joins up with the family. As the quartet targets lonely senior citizens, the two women fall for each other, their romance becoming a source of liberation for Wood’s character. The eccentricities of the clan at the heart of writer-director Miranda July’s film are obnoxious rather than endearing and the worldview underlying their story is devoid of faith and explicitly rejects any hope of an afterlife worth experiencing. Beliefs incompatible with Christianity, a frivolous treatment of crime, a benign view of homosexual relationships, brief irreverent humor, upper female nudity in a nonsexual context, a same-sex kiss, a couple of mild oaths, a handful of rough and crass terms. Under 17 requires accompanying parent or adult guardian. CLASSIFICATION “Kajillionaire” (Focus) — Catholic News Service classification, O — morally offensive. Motion Picture Association rating, R — restricted. Under 17 requires accompanying parent or adult guardian.

NEW YORK (CNS) -- Essentially a lesbian love story, "Kajillionaire" (Focus) is also a barren comedy mostly populated by unsympathetic characters whose eccentricities are more obnoxious than endearing and resting on underlying ideas about life and death that cannot be harmonized with revealed truth. As such, it's impoverished rather than outrageously wealthy. Inveterate petty thieves Theresa (Debra Winger) and Robert Dyne (Richard Jenkins) have raised their 26-year-old daughter, Old Dolio (Evan Rachel Wood), to be their partner in crime. They also have deprived her of anything resembling affection so that she has grown up withdrawn, stiff and emotionally repressed. However, Old Dolio -- whose parents characteristically named her for an acquaintance they hoped would leave them money as a result -- finds her drab world transformed when the clan crosses paths with vibrant Melanie (Gina Rodriguez) and she joins in their criminal enterprises. As the quartet targets lonely senior citizens, Old Dolio and Melanie fall for each other, which becomes a source of liberation for the former. The original trio's ill-gotten gains are initially so random and essentially worthless as to serve as a source of humor. Yet, there's something unsavory in the way writer-director Miranda July's script shrugs off their later purloining of funds from vulnerable retirees. Melanie objects to this scheme at first, but rapidly gives way and aids in it. Faith, moreover, is as absent from Old Dolio's world as any sense of morality. When an airplane on which the Dynes are traveling runs into turbulence and Theresa begins to pray, this is depicted as a comic absurdity. Along the same lines, when Old Dolio exclaims "God bless you" in the midst of a manic episode, it's portrayed as an empty and incongruous sentiment. Additionally, Old Dolio envisions the afterlife as an endless state of numbness experienced in a dark void. Those who, unlike herself, love life on earth and have something to lose will, she believes, find this condition torturous. The relationship between Melanie and Old Dolio is handled discreetly. Until a prolonged smooch in the final scene, it mostly consists of sensual hints at their mutual feelings. But their bond is not only portrayed positively, it's thoroughly romanticized and represents the linchpin of Old Dolio's transformation and awakening -- the goal toward which the whole plot moves. The film contains beliefs incompatible with Christianity, a frivolous treatment of crime, a benign view of homosexual relationships, brief irreverent humor, upper female nudity in a nonsexual context, a same-sex kiss, a couple of mild oaths and a handful of rough and crass terms. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. - - - Mulderig is on the staff of Catholic News Service. - - - CAPSULE REVIEW "Kajillionaire" (Focus) Barren comedy about the emotionally repressed 26-year-old daughter (Evan Rachel Wood) of two inveterate petty thieves (Debra Winger and Richard Jenkins) who finds her drab world transformed when a vibrant stranger (Gina Rodriguez) joins up with the family. As the quartet targets lonely senior citizens, the two women fall for each other, their romance becoming a source of liberation for Wood's character. The eccentricities of the clan at the heart of writer-director Miranda July's film are obnoxious rather than endearing and the worldview underlying their story is devoid of faith and explicitly rejects any hope of an afterlife worth experiencing. Beliefs incompatible with Christianity, a frivolous treatment of crime, a benign view of homosexual relationships, brief irreverent humor, upper female nudity in a nonsexual context, a same-sex kiss, a couple of mild oaths, a handful of rough and crass terms. - - - CLASSIFICATION "Kajillionaire" (Focus) -- Catholic News Service classification, O -- morally offensive. Motion Picture Association rating, R -- restricted. Under 17 requires accompanying parent or adult guardian.

Kajillionaire review. Kajillionaire 2020. Kajillionaire the movie. Kajillionaire trailer movie. Kajillionaire watch online. Kajillionaire sundance. Critics Consensus Whether you see Kajillionaire as refreshingly unique or simply bizarre will depend on your cinematic adventurousness -- and fans of writer-director Miranda July wouldn't have it any other way. 88% TOMATOMETER Total Count: 153 46% Audience Score Verified Ratings: 76 Kajillionaire Ratings & Reviews Explanation Other Movies Kajillionaire Videos Photos Movie Info Two con artists have spent 26 years training their only daughter to swindle, scam and steal at every turn. During a desperate and hastily conceived heist, they charm a stranger into joining them, only to have their entire world turned upside down. Rating: R (Some Sexual References|Language) Genre: drama, comedy Original Language: English Director: Producer: Writer: Release Date (Theaters): Sep 25, 2020 limited Box Office (Gross USA): $494. 0K Runtime: 1h 44m Production Co: Annapurna Pictures, Plan B Entertainment Aspect Ratio: Scope (2. 35:1) Cast & Crew News & Interviews for Kajillionaire Critic Reviews for Kajillionaire Audience Reviews for Kajillionaire Kajillionaire Quotes Movie & TV guides.

Miranda July doesn’t seem to have fair-weather fans. There are those who are obsessed. And there are those who don’t know who she is. There is no in between. Even after acclaimed films like “Me and You and Everyone We Know” and “The Future, ” the author and director is still grateful when someone knows her work. It’s why she took note when Dede Gardner, the Oscar-winning producer of “Moonlight” and “12 Years a Slave, ” wrote her a “beautiful” and “poetic” letter about her novel “The First Bad Man. ” “That’s not your average Hollywood producer, ” July said. “I was like, huh, I guess when I finish this script, that may be the first person I send it to. ” The script in question was “ Kajillionaire, ” a story about a family of grifters in Los Angeles. It came to her one morning when in a half-conscious state she saw three characters, two women with long hair and a man. She was careful to not fall back asleep and instead to write her idea down. Soon enough Gardner was over at July’s house agreeing to make her film. It was, July said, the first time she didn’t have to spend any time looking for money. Like July’s other films, “Kajillionaire” is utterly sincere, a little surreal and quietly crushing. And, of course, it’s wholly original. Opening Friday in select theaters, the film follows scammers Robert (Richard Jenkins) and Theresa Dyne (Debra Winger) and their 26-year-old child Old Dolio (Evan Rachel Wood) in their strange, cheap Los Angeles life, foraging the urban landscape for survival. The decaying office space they rent for sleeping is adjacent to a bubble factory that often spills over into their home. And their routines are upended when a local extrovert, Melanie (Gina Rodriguez), joins their odd clan. Rodriguez had actually been listening to a July audiobook when their mutual friend Lena Dunham put them in touch. “I was like, oh my God, give my number, give my address, ” Rodriguez said. “I’ve never really had an auteur director be like, I was thinking of you when I wrote this. ” Wood had a particularly challenging role in Old Dolio, the heart of the film, who has only ever functioned as a part of her parents’ scams and is starting to realize there might be life outside. July wanted to be sure Wood understood the soul of the character before committing. At dinner Wood told her that Old Dolio reminded her of Edward Scissorhands, one of her favorite characters. “They’ve been completely removed from normal society for a large portion of their lives and probably very devoid of affection or unconditional love, ” Wood said. July was thrilled. Wood, she said, had just “showed her spiritual cards. ” She challenged her actor with exercises designed to “narrow her emotional bandwidth” but the unusual low voice was all Wood’s idea. July laughed that she would be “way too scared to ask an actor to do a different voice for a whole movie. ” “I actually have a low speaking voice but I don’t use it, ” Wood said. A voice coach told her it could be harmful to her singing and advised her to break the habit and speak at a higher register. Rodriguez wasn’t aware of Wood’s plan, though, so when she broke out the voice during a take, Wood remembered a look of shock and surprise. “She didn’t know if it was a joke or if it was real, ” Wood said. “After they yelled cut, she was like, ‘Are you really doing that? ’ And I said, ‘Yeah that’s Old Dolio! ’ She just started cracking up. ” Aside from the surprises, the experience was profound for Rodriguez who found July to be exacting and mystical. “She’s just a quiet giant. A fragile champ. She has this dichotomy of two different energies. Her temperament is so calm but then she’s got this explosive art and that’s just surging through her, ” Rodriguez said. “You just knew that you were in the hands of someone magical. ” The film got raves when it premiered at the Sundance Film Festival earlier this year, but the cast has also found it to be strangely reflective of the current moment too. “So much of it is about intimacy and connection and being devoid of touch and isolation, ” Wood said. “We’re all strange versions of Old Dolio right now. ” “Kajillionaire” is July’s first film in almost 10 years and the first since she had a child in 2012 (her spouse is director Mike Mills). And it’s significant to her. “I wanted to have made two movies (before I had a child) because I know a lot of women only make one movie and I wanted to at least have gotten to make two. There was a sense almost like you were going to die — not actually — but that you might never get to continue being the person you were before. It’s so crazy because what man has ever had that thought? ” July said. “But it was all right. “In a way, I was so hardcore all those years before it was like, OK I know how to do this. It was a relief to see that I could do it and also that my soul was intact. If anything, you know, it had more in it. ” ___ Follow AP Film Writer Lindsey Bahr on Twitter:.

Kajillionaires. Kajillionaire (2020. A sure fire way to know a movie is bad? When you keep checking your watch, doing the math for when the movie will end.
Richard Jenkins? Debra Winger? Are you guys in a severe financial crunch and needed some money fast? Did you lose a bet and this was your punishment?
As you might have guessed, I found this movie painful to watch. It started out well enough, with some big names portraying a very eccentric family of small-time con artists. But that was it. It all just went slowly downhill after that, grinding slower and slower. At one point, I believe time stood still yet the movie kept going and going, despite my fervent wishes for it to end.
Almost left several times, but I stuck it out to see how it would wrap up. It wasn't worth the wait. I wish I indeed had left early. I didn't miss anything.
Nary a smile to be seen in the theater as we all somberly filed out. Just a lot of grumbling and people shaking their heads dejectedly.

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What a wonderful place Miranda July's brain is. I think we are so lucky she is able to share pieces of it with us. I am a fan of July's other work as well, and her latest movie Kajillionaire is probably my favorite of her films so far. Some of the characters' names alone are hilarious. I was able to catch a screening of it at Sundance.
Kajillionaire tells the story of a girl and her parents who need to hustle and con people just to get by. Her parents are very odd and jaded by their past lives and the people and government who took part in them. She has grown up in this life of getting by just based on what she is able to steal or find to sell for money. She has learned to mistrust others, and she has never seen her parents showing anyone preference or affection- even her. She is curious about being held, but that makes her feel weak and ashamed. To me, Kajillionaire is one of those movies that made me feel alive. Learning how to love and be loved in return is just beautiful. I found myself laughing out loud one minute, and the next minute I felt quiet or sad. You will be grateful of every good thing you have in your life; not everyone is as fortunate to have a place to live that doesn't leak or even simply someone to hug them.

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